Thursday, August 29, 2013

Elysium: When the Elite Ruling Class Makes Hell on Earth for the Masses

Elysium Poster[SPOILER ALERT! IT'S ALL ABOUT RICH SCUM AND HOW THEY TRY TO SCREW EVERYBODY ELSE!]

According to Wikipedia: "Elysium or the Elysian Fields is a conception of the afterlife that evolved over time and was maintained by certain Greek religious and philosophical sects and cults. Initially separate from the realm of Hades, admission was initially reserved for mortals related to the gods and other heroes. Later, it expanded to include those chosen by the gods, the righteous, and the heroic, where they would remain after death, to live a blessed and happy life, and indulging in whatever employment they had enjoyed in life."
In his movie "Elysium," set in 2154, writer director Neil Blomkamp has a rather different view of the place. It is not reserved for the dead, but for the very much alive super/super/ultra-rich (read: ruling class) who have apparently survived the dead-zone for everyone else that their policies have created on Earth. And as is well-known by now to most readers of these pages, they have retreated to a vast satellite world that, even though they are hardly dead, they have for some reason named "Elysium."
Perhaps it is because even now, there are members of the present ruling class, not only in the U.S. but around the world from here to China, to Russia, to the oil Kingdoms, to certain European and South American enclaves, who think of themselves as truly above everyone else. They are in their own minds god-like perhaps, and certainly totally entitled to their riches, even if in the process of gaining them they are dooming the rest of mankind to the kind of existence that Blomkamp portrays in his movie.
That is, one could imagine the Kochs, for example, or certain Saudi princes, or certain Russian oligarchs, or certain Chinese's "princelings" (that is descendants of founding members of the Chinese Communist Party --- who would be rolling over in their graves if they knew what had become of their children and grandchildren), thinking of themselves in the category of the "righteous and the heroic," entitled to the life they have developed for themselves 140 years from now on their space-island. (Yes, entitled, there's that word again. Well you have heard of "entitlements," haven't you? Indeed this, not pre-paid pension benefits like Social Security, is its real meaning: what the ruling class think they are entitled to, come what may for everyone else.) Indeed, Elysium does seem to be international, for English is not the only language spoken there; French, the international language of the 19th century, is also.
"Elysium" is a movie that says many things to us, not, perhaps, all of them intended to be said by Mr. Blomkamp. Let me get my criticisms out of the way first. First, without giving it away, the movie has a happy, or at least apparently happy, ending. One must presume that this is one of Mr. Blomkamp's bows to Hollywood, necessary to get made what is a very expensive, VERY high-tech movie (with marvelous special effects, which I happen to love). But the ending is jarring, to say the least, and very unrealistic. It's sort of like the ending of Roland Emmerich's (otherwise) masterpiece "The Day After Tomorrow" in which millions of Nord Americanos, fleeing a new ice age (which indeed could be a short-term consequence of global warming, as is explained in that movie) are welcomed with open arms south of the border. Oh yeah! ...

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